The Wolf of Wall Street
reverse engineered PowerGrades
Color by Yvan Lucas. Read this article to learn how he became a color timer working exclusively on prints and how he started moving to digital grading. Quote: „colour timing is a technique that everybody can learn, but the most important thing is to understand and interpret the artistic thoughts of the director and cinematographer into colour.“
CLICK HERE for more information on my “Soft 2 Strip” PowerGrade.
PowerGrade: DONNIE
Photo credit: Mary Cybulski – © 2013 Paramount Pictures. All Rights Reserved.
The Wolf of Wall Street (2013) / Directed by Martin Scorsese / © Paramount Pictures
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PowerGrade: GOLF CART
Photo credit: Mary Cybulski – © 2013 Paramount Pictures. All Rights Reserved.
The Wolf of Wall Street (2013) / Directed by Martin Scorsese / © Paramount Pictures
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PowerGrade: STREET
Photo credit: Mary Cybulski – © 2013 Paramount Pictures. All Rights Reserved.
The Wolf of Wall Street (2013) / Directed by Martin Scorsese / © Paramount Pictures
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PowerGrade: RANCH
Photo credit: Mary Cybulski – © 2013 Paramount Pictures. All Rights Reserved.
The Wolf of Wall Street (2013) / Directed by Martin Scorsese / © Paramount Pictures
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PowerGrade: YACHT
Photo credit: Mary Cybulski – © 2013 Paramount Pictures. All Rights Reserved.
The Wolf of Wall Street (2013) / Directed by Martin Scorsese / © Paramount Pictures
NODE TREE:
The Wolf of Wall Street (2013)
DIRECTED BY: Martin Scorsese
CINEMATOGRAPHY: Rodrigo Prieto
PRODUCTION DESIGN: Bob Shaw
ART DIRECTION: Chris Shriver, Dave Asling
COSTUME DESIGN: Sandy Powell
SET DECORATION: Ellen Christiansen
COLORIST: Yvan Lucas
CAST: Leonardo DiCaprio, Jonah Hill, Donnie Azoff, Margot Robbie, Naomi Lapaglia, Kyle Chandler
ASPECT RATIO:
2.39 : 1
1.33 : 1 (some scenes)
CAMERA:
Arri Alexa Plus, Hawk V-Lite, V-Plus, V-Series, Zeiss Master Prime and Angenieux Optimo Lenses
Arri Alexa Studio, Hawk V-Lite, V-Plus, V-Series, Zeiss Master Prime and Angenieux Optimo Lenses
Arricam LT, Hawk V-Lite, V-Plus, V-Series, Zeiss Master Prime and Angenieux Optimo Lenses
Canon EOS C500
Phantom Camera HD
NEGATIVE FORMAT:
35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219)
Codex
Gemini 4:4:4
CINEMATOGRAPHIC PROCESS:
ARRIRAW (2.8K) (source format)
Canon Cinema RAW (4K) (source format) (aerial shots)
Digital Intermediate (4K) (master format)
Hawk Scope (anamorphic) (source format)
Super 35 (source format)
PRINTED FILM FORMAT:
35 mm (Kodak Vision 2383)
D-Cinema
PRODUCTION:
USA
PRODUCTION COMPANIES:
Red Granite Pictures
Appian Way Productions
Sikelia Productions
DISTRIBUTED BY:
Paramount Pictures