Skyfall


Color by Mitch Paulson. Read „Mitch Paulson and the Art of Color Correction,“ where he explains the difference between „color grading“ and „color timing“ and talks about how he started his career.

Click here for more information on my “Soft 2 Strip” PowerGrade.


PowerGrade: BOND

Before Image After Image
© Skyfall2012 Danjaq, LLC, United Artists Corporation, Columbia Pictures Industries, Inc.
Skyfall (2012) / Directed by Sam Mendes / © Sony Pictures Releasing

PowerGrade: BOAT

Before Image After Image
Photo by Francois Duhamel – © 2012 – Danjaq, LLC, United Artists Corporation, Columbia Pictures Industries, Inc.
Skyfall (2012) / Directed by Sam Mendes / © Sony Pictures Releasing

PowerGrade: DISPLAY

Before Image After Image
© Skyfall2012 Danjaq, LLC, United Artists Corporation, Columbia Pictures Industries, Inc.
Skyfall (2012) / Directed by Sam Mendes / © Sony Pictures Releasing

PowerGrade: RUNNING

Before Image After Image
Photo by Francois Duhamel – © 2012 – Danjaq, LLC, United Artists Corporation, Columbia Pictures Industries, Inc.
Skyfall (2012) / Directed by Sam Mendes / © Sony Pictures Releasing

PowerGrade: HILLS

Before Image After Image
Photo by Francois Duhamel – © 2012 – Danjaq, LLC, United Artists Corporation, Columbia Pictures Industries, Inc.
Skyfall (2012) / Directed by Sam Mendes / © Sony Pictures Releasing

DIRECTED BY: Sam Mendes
CINEMATOGRAPHY: Roger Deakins
PRODUCTION DESIGN: Dennis Gassner
ART DIRECTION: Neal Callow, Dean Clegg, James Foster, Mark Harris, Marc Homes, Paul Inglis, Jason Knox-Johnston, Chris Low
COSTUME DESIGN: Jany Temime, Timothy Everest
SET DECORATION: Anna Pinnock
COLORIST: Mitch Paulson
CAST: Daniel Craig, Javier Bardem, Ralph Fiennes, Naomie Harris, Bérénice Marlohe, Albert Finney, Judi Dench, Ben Whishaw

ASPECT RATIO:
1.90 : 1 (IMAX version)
2.39 : 1

CAMERA:

Arri Alexa M, Zeiss Master Prime Lenses
Arri Alexa Plus, Zeiss Master Prime and Angenieux Optimo Lenses
Arri Alexa Studio, Zeiss Master Prime and Angenieux Optimo Lenses
Red Epic, Zeiss Master Prime Lenses (aerial shots)

NEGATIVE FORMAT:
Codex
Redcode RAW

CINEMATOGRAPHIC PROCESS:

ARRIRAW (2.8K) (source format)
Digital Intermediate (4K) (master format)
Redcode RAW (5K) (source format) (aerial shots)

PRINTED FILM FORMAT:
35 mm (anamorphic) (Kodak Vision 2383)
70 mm (horizontal) (IMAX blow-up) (Kodak Vision 2383)
D-Cinema

PRODUCTION:
USA, United Kingdom

PRODUCTION COMPANIES:

Eon Productions
Metro-Goldwyn-Mayer Pictures
Columbia Pictures

DISTRIBUTED BY:

Sony Pictures Releasing