Skyfall
reverse engineered PowerGrades
Color by Mitch Paulson. Read „Mitch Paulson and the Art of Color Correction,“ where he explains the difference between „color grading“ and „color timing“ and talks about how he started his career.
Click here for more information on my “Soft 2 Strip” PowerGrade.
PowerGrade: BOND
© Skyfall2012 Danjaq, LLC, United Artists Corporation, Columbia Pictures Industries, Inc.
Skyfall (2012) / Directed by Sam Mendes / © Sony Pictures Releasing
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PowerGrade: BOAT
Photo by Francois Duhamel – © 2012 – Danjaq, LLC, United Artists Corporation, Columbia Pictures Industries, Inc.
Skyfall (2012) / Directed by Sam Mendes / © Sony Pictures Releasing
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PowerGrade: DISPLAY
© Skyfall2012 Danjaq, LLC, United Artists Corporation, Columbia Pictures Industries, Inc.
Skyfall (2012) / Directed by Sam Mendes / © Sony Pictures Releasing
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PowerGrade: RUNNING
Photo by Francois Duhamel – © 2012 – Danjaq, LLC, United Artists Corporation, Columbia Pictures Industries, Inc.
Skyfall (2012) / Directed by Sam Mendes / © Sony Pictures Releasing
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PowerGrade: HILLS
Photo by Francois Duhamel – © 2012 – Danjaq, LLC, United Artists Corporation, Columbia Pictures Industries, Inc.
Skyfall (2012) / Directed by Sam Mendes / © Sony Pictures Releasing
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Skyfall (2012)
DIRECTED BY: Sam Mendes
CINEMATOGRAPHY: Roger Deakins
PRODUCTION DESIGN: Dennis Gassner
ART DIRECTION: Neal Callow, Dean Clegg, James Foster, Mark Harris, Marc Homes, Paul Inglis, Jason Knox-Johnston, Chris Low
COSTUME DESIGN: Jany Temime, Timothy Everest
SET DECORATION: Anna Pinnock
COLORIST: Mitch Paulson
CAST: Daniel Craig, Javier Bardem, Ralph Fiennes, Naomie Harris, Bérénice Marlohe, Albert Finney, Judi Dench, Ben Whishaw
ASPECT RATIO:
1.90 : 1 (IMAX version)
2.39 : 1
CAMERA:
Arri Alexa M, Zeiss Master Prime Lenses
Arri Alexa Plus, Zeiss Master Prime and Angenieux Optimo Lenses
Arri Alexa Studio, Zeiss Master Prime and Angenieux Optimo Lenses
Red Epic, Zeiss Master Prime Lenses (aerial shots)
NEGATIVE FORMAT:
Codex
Redcode RAW
CINEMATOGRAPHIC PROCESS:
ARRIRAW (2.8K) (source format)
Digital Intermediate (4K) (master format)
Redcode RAW (5K) (source format) (aerial shots)
PRINTED FILM FORMAT:
35 mm (anamorphic) (Kodak Vision 2383)
70 mm (horizontal) (IMAX blow-up) (Kodak Vision 2383)
D-Cinema
PRODUCTION:
USA, United Kingdom
PRODUCTION COMPANIES:
Eon Productions
Metro-Goldwyn-Mayer Pictures
Columbia Pictures
DISTRIBUTED BY:
Sony Pictures Releasing