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In this blog post I would like to answer questions that arise when getting started with DaVinci Resolve. Questions like: “What are the best courses, the best YouTube channels? Which monitor should I buy? Which hardware? Why do the colors look different in Quicktime Player or on YouTube? What format should I render my movie in?” This blog post is a collection of links paired with my own experiences and tips that will hopefully help you to evolve your color grading skills.


These books are about color in general. They deal with subjective perception and objective color principles and present the key to understanding color. If you click on the covers, you will be redirected to Google. (Support your local bookstore if you can.)

by Alexis Van Hurkman
by Johannes Itten
by Patti Bellantoni
by Margaret Livingstone
by Jerod Foster
by Michael S. Tooms
by Dr. R.W.G. Hunt
by Dr. R.W.G. Hunt
by David Stump
by Scott Arundale


If you are new to DaVinci Resolve I highly recommend to start with the Training Videos by Blackmagic Design. Also check out the “Training Books”. (All FREE)

I have mixed feelings recommending courses. I am more of a minimalist, as you can tell by this site. I often like “fundamental courses” more than “creative ones”. Sometimes “advanced courses” are going in a direction I personally would not recommend (For example: “Qualifying the skin”). In any case, it’s important to understand that there is not ONE right way when it comes to color grading – there are many.

With that in mind, I’d recommend starting with DaVinci Resolve’s tutorials first. Learn the basics. Learn how to read the scopes. The next step is to find a teacher / course that suits you. Every technic is just a tool and just because some professionals prefer certain tools it doesn’t mean you have to use the same tools if they don’t feel right to you.

Learning tools is one thing. What I also highly recommend is to take a closer look at the philosophical aspects of grading and communication with clients. I really enjoy watching interviews from colorists whose work I admire. What I do is this: I go to IMDB of a movie I like and click on “Full Cast & Crew” and search for “colorist”. I copy the name into google and search for videos, articles and interviews. This way you will find some great and inspirational content.

I encourage you to do the same. Here are just two examples:
1. Walter Volpatto interviewed by Edi Walger. ColorDoctor.
2. Colour on Stage: Eric Weidt / Creating the unique look for ’Mindhunter’

One last advice on this matter: Don’t get lost in courses and training videos. Learn the basics and then grade projects. You only get better by practicing and working on real projects.

Start with the Training Videos by Blackmagicdesign:

Wonderful fundamental tutorials, like for example this one:

For advanced users. Lots of color science research, DCTL and more.

Another fantastic site.
Check out:

More courses:


Here are some of my favorite YouTube channels. There are many more great channels out there. This is just my personal list that I can recommend to 100%. Be sure to check out Goat’s Eye View. Daria Fissoun talks a lot about DaVinci Resolve 12.5, but most of her advice is still valid today.

Darren Mostyn

Goat’s Eye View



Cullen Kelly


I personally recommend at least one monitor from the EIZO ColorEdge series, which starts at around 1,500 euros, to get started.

Affordable Colour Grading Monitors
is a fantastic article by Jonny Elwyn.
Last Update: May 7, 2021.

Jonny Elwyn is a freelance film editor and writer,
living and working in London, UK. Check out his website:


  1. CPU – Get the fastest CPU you can afford.
  2. GPU – Get the fastest GPU you can afford. More VRAM = better
  3. RAM – Get as much ram as you can afford.

For specific Hardware selection, check:

Hardware selection and Shopping Guide for DaVinci Resolve 15. (PDF)
by Blackmagic. This PDF needs an update. It might be still helpful to get an overview about hardware selection.

DaVinci Resolve Minimum System Requirements | A Reality Check
by Richard Lackey. August, 2021

Hardware Recommendations for DaVinci Resolve
by (not sponsored)


© Tim Yemmax / Farbkanal

On these pages you will find detailed information on setting up a grading suite. As a beginner, at least make sure you have good backlighting for your monitor. 6500k, High CRI. I can recommend the lights from “MediaLight”. (not sponsored)

Anatomy Of A Grading Suite: Design
by Robbie Carman /

The Beginner’s Guide to Building a Color Grading Suite
by Ben Bailey /

MediaLight Mk2 Eclipse (not sponsored)


A good starting point is this article called:
Colour Management for Video Editors
by Jonny Elwyn /

It covers the following questions:

  • Which colour profile should you set your monitor to for video editing?
  • How do you know what colour space to be working in?
  • How do I correctly colour grade for internet delivery?
  • Do you need to have an external video I/O box between your computer and the monitor?
  • Why does the colour look different in Quicktime vs VLC vs YouTube vs Vimeo vs Chrome vs Safari, all on the same monitor?

Another great article comes from Cullen Kelly for
Grading for Mixed Delivery: Cinema, Home, and Every Screen in Between

Please also check out these three articles that give you more Information about Levels, Rec709-A and color shifts. All three articles are by Dan Swierenga.

1. How to Deal with Levels: Full vs. Video

2. A Deeper Look at Consistent Color with QuickTime Tags From Resolve To YouTube & Vimeo on Wide Gamut Apple Monitors

3. Matching Color: DaVinci Resolve’s Viewer & Mac P3 Displays and Applications (for macOS High Sierra)

All three articles by Dan Swierenga. He is a colorist and Flame artist with over 10 years of experience in post production coloring and finishing feature films, shorts, documentaries and commercials. Dan is the co-founder of the post production blog


This graphic is very simplified. Yes, DaVinci Resolve Studio “supports” some h264 codecs. But often it is still stuttering. DaVinci Resolve (Studio) doesn’t like “GOP” (Group of Pictures) formats, and that is fine. H264 is NOT an “editing format” so it is best to convert those files into DNxHR for example. DaVinci Resolve works smooth with ProRes, DNxHR, braw, red, arri files and many more. On slower Computers, go to Project Settings and set the Timeline resolution to 1080p (instead of 4k) before using “Optimized media”. Lowering the resolution often is enough to give you smooth playback. But don’t forget to change your Project settings back to 4k if you want to render “true 4k”.
For more information, check out these links:

AVC / H.264 / HEVC and DaVinci Resolve | Why You Need to Transcode
by Richard Lackey /

What H.264/H.265 Hardware Decoding is Supported in DaVinci Resolve Studio?
by Matt Bach /

Supported Formats and Codecs / DaVinci Resolve / April 2020 (PDF)
by Blackmagicdesign /


Here are some differences between the “Free” and the “Studio” version.

– Render in 4k (4096 x 2160) and above
– Noise Removal and Motion Blur
– Remote Grading
– Film Grain, Lens Blur, Lens Distortion

– Render only in UHD (3840 x 2160)
– No Noise Removal and Motion Blur
– No Remote Grading
– No Film Grain, Lens Blur, Lens Distortion

Here is a comparison PDF between the “Free” and “Studio” Version by Blackmagic. Maybe they will update this PDF some day:



YouTube, Vimeo, and every other video platform often provide detailed guidelines for video and audio. There is no trick how to get better Quality on those platforms. The only “trick” is to upload in 4k. Because your video will be transcoded with a higher bit rate. And instead of uploading a h264/h265 file, you could also upload ProRes and DNxHR files. But do your own tests and see if it is worth it.

YouTube: Recommended upload encoding settings
Vimeo: Video and audio compression guidelines

Vimeo also provides an article how to use “HandBrake” to compress and prepare MP4 videos for the upload on Vimeo. Click here.

99% of the time, I am rendering a DNxHR master out of Resolve. In the second step, I use HandBrake to convert those file into h264 before uploading it to Youtube or Vimeo. Another good converter might be shutterencoder. I did not yet test it out, but I know a lot of people are using this one.




Why You Shouldn’t Use ACES

What Is ACES And How Do You Use It?



Have fun.

If you have any questions / suggestions / comments, feel free
to contact me at stefanATmononodesDOTcom

If you want to support me and the content here,
then you can ‘buy me a coffee‘. Always appreciated.