Iron Man 2
reverse engineered PowerGrades
Color by Mitch Paulson. Read „Mitch Paulson and the Art of Color Correction,“ where he explains the difference between „color grading“ and „color timing“ and talks about how he started his career.
Click here for more information on my “Soft 2 Strip” PowerGrade.
PowerGrade: WHIPLASH
Iron Man 2 (2010) / Directed by Jon Favreau / © Sony Pictures Releasing
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PowerGrade: HAMMER
Iron Man 2 (2010) / Directed by Jon Favreau / © Sony Pictures Releasing
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PowerGrade: PEPPER
Iron Man 2 (2010) / Directed by Jon Favreau / © Sony Pictures Releasing
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PowerGrade: BIRD
Iron Man 2 (2010) / Directed by Jon Favreau / © Sony Pictures Releasing
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PowerGrade: ROBOT
Iron Man 2 (2010) / Directed by Jon Favreau / © Sony Pictures Releasing
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Iron Man 2 (2010)
DIRECTED BY: Jon Favreau
CINEMATOGRAPHY: Matthew Libatique
PRODUCTION DESIGN: J. Michael Riva
ART DIRECTION: Page Buckner, Michael E. Goldman, David F. Klassen, Suzan WexlerJupe
COSTUME DESIGN: Mary Zophres
SET DECORATION: Lauri Gaffin
COLORIST: Mitch Paulson
CAST: Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johansson, Sam Rockwell, Mickey Rourke, Samuel L. Jackson
ASPECT RATIO:
1.90 : 1 (IMAX version)
2.39 : 1
CAMERA:
Arriflex 435 Advanced, Panavision Primo Lenses
Panavision Panaflex Millennium XL2, Panavision Primo and Angenieux Optimo Lenses
CANON EOS 5D Mark II (some shots)
NEGATIVE FORMAT:
35 mm (also horizontal) (Kodak Vision2 50D 5201, Vision2 200T 5217, Vision3 500T 5219, Vision 500T 5279)
CINEMATOGRAPHIC PROCESS:
Digital Intermediate (2K) (master format)
Panavision (anamorphic) (source format) (post credits scene)
Super 35 (4-perf) (source format)
VistaVision (source format) (visual effects)
PRINTED FILM FORMAT:
35 mm (anamorphic) (Kodak Vision 2383, Vision Premier 2393)
70 mm (horizontal) (IMAX blow-up) (Kodak Vision 2383)
D-Cinema
PRODUCTION:
USA
PRODUCTION COMPANIES:
Marvel Studios
DISTRIBUTED BY:
Sony Pictures Releasing