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Mission Impossible – Ghost Protocol


Color by Stefan Sonnenfeld (senior colorist), Stephen Nakamura (digital film colorist). Full credits at bottom of this page.

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PowerGrade: ROOFTOP

Mission Impossible – Ghost Protocol (2011) / Directed by Brad Bird / © Paramount Pictures

PowerGrade: GLOVES

Mission Impossible – Ghost Protocol (2011) / Directed by Brad Bird / © Paramount Pictures

PowerGrade: ESCALATOR

Mission Impossible – Ghost Protocol (2011) / Directed by Brad Bird / © Paramount Pictures

DIRECTED BY: Brad Bird
CINEMATOGRAPHY: Robert Elswit
PRODUCTION DESIGN: Jim Bissell
ART DIRECTION: Jason T. Clark, Michael Diner, Helen Jarvis, Christa Munro, Mark Stephen, Michael Turner, …
COSTUME DESIGN: Michael Kaplan
SET DECORATION: Rosemary Brandenburg, Andrew Del Rosario, Elizabeth Wilcox
COLORIST: Stefan Sonnenfeld (senior colorist), Stephen Nakamura (digital film colorist)
CAST: Tom Cruise, Jeremy Renner, Simon Pegg, Paula Patton, Michael Nyqvist, Anil Kapoor, Léa Seydoux

ASPECT RATIO:
1.43 : 1 (70mm IMAX: some scenes)
1.90 : 1 (Digital IMAX: some scenes)
2.39 : 1

CAMERA:

Arriflex 435 Xtreme, Panavision G-Series Lenses
IMAX MSM 9802, Hasselblad Lenses
Iwerks MSM 8870, Hasselblad Lenses
Panavision Panaflex Millennium XL2, Panavision Primo, C-, E-, G-Series, ATZ and AWZ2 Lenses
Red Epic, Panavision Primo and C-Series Lenses (some scenes)

NEGATIVE FORMAT:
35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219)
65 mm (horizontal) (Kodak Vision3 200T 5213, Vision3 500T 5219)

CINEMATOGRAPHIC PROCESS:

Digital Intermediate (4K) (master format)
IMAX (source format) (some scenes)
Panavision (anamorphic) (source format)
Redcode RAW (3.3K) (5K) (source format) (some scenes)
Super 35 (source format) (one scene)

PRINTED FILM FORMAT:
35 mm (Kodak Vision 2383)
70 mm (horizontal) (IMAX DMR blow-up) (Kodak Vision 2383)
D-Cinema

PRODUCTION:
USA

PRODUCTION COMPANIES:

Skydance Productions
TC Productions
Bad Robot Productions

DISTRIBUTED BY:

Paramount Pictures