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The Wolf of Wall Street


Color by Yvan Lucas. Read this article to learn how he became a color timer working exclusively on prints and how he started moving to digital grading. Quote: „colour timing is a technique that everybody can learn, but the most important thing is to understand and interpret the artistic thoughts of the director and cinematographer into colour.“

CLICK HERE for more information on my “Soft 2 Strip” PowerGrade.


PowerGrade: DONNIE

Photo credit: Mary Cybulski – © 2013 Paramount Pictures. All Rights Reserved.
The Wolf of Wall Street (2013) / Directed by Martin Scorsese / © Paramount Pictures

PowerGrade: GOLF CART

Photo credit: Mary Cybulski – © 2013 Paramount Pictures. All Rights Reserved.
The Wolf of Wall Street (2013) / Directed by Martin Scorsese / © Paramount Pictures

PowerGrade: STREET

Photo credit: Mary Cybulski – © 2013 Paramount Pictures. All Rights Reserved.
The Wolf of Wall Street (2013) / Directed by Martin Scorsese / © Paramount Pictures

PowerGrade: RANCH

Photo credit: Mary Cybulski – © 2013 Paramount Pictures. All Rights Reserved.
The Wolf of Wall Street (2013) / Directed by Martin Scorsese / © Paramount Pictures

PowerGrade: YACHT

Photo credit: Mary Cybulski – © 2013 Paramount Pictures. All Rights Reserved.
The Wolf of Wall Street (2013) / Directed by Martin Scorsese / © Paramount Pictures

DIRECTED BY: Martin Scorsese
CINEMATOGRAPHY: Rodrigo Prieto
PRODUCTION DESIGN: Bob Shaw
ART DIRECTION: Chris Shriver, Dave Asling
COSTUME DESIGN: Sandy Powell
SET DECORATION: Ellen Christiansen
COLORIST: Yvan Lucas
CAST: Leonardo DiCaprio, Jonah Hill, Donnie Azoff, Margot Robbie, Naomi Lapaglia, Kyle Chandler

ASPECT RATIO:
2.39 : 1
1.33 : 1 (some scenes)

CAMERA:

Arri Alexa Plus, Hawk V-Lite, V-Plus, V-Series, Zeiss Master Prime and Angenieux Optimo Lenses
Arri Alexa Studio, Hawk V-Lite, V-Plus, V-Series, Zeiss Master Prime and Angenieux Optimo Lenses
Arricam LT, Hawk V-Lite, V-Plus, V-Series, Zeiss Master Prime and Angenieux Optimo Lenses
Canon EOS C500
Phantom Camera HD

NEGATIVE FORMAT:
35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219)
Codex
Gemini 4:4:4

CINEMATOGRAPHIC PROCESS:

ARRIRAW (2.8K) (source format)
Canon Cinema RAW (4K) (source format) (aerial shots)
Digital Intermediate (4K) (master format)
Hawk Scope (anamorphic) (source format)
Super 35 (source format)

PRINTED FILM FORMAT:
35 mm (Kodak Vision 2383)
D-Cinema

PRODUCTION:
USA

PRODUCTION COMPANIES:

Red Granite Pictures
Appian Way Productions
Sikelia Productions

DISTRIBUTED BY:

Paramount Pictures