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Shutter Island


Color by Yvan Lucas. Read this article to learn how he became a color timer working exclusively on prints and how he started moving to digital grading. Quote: „colour timing is a technique that everybody can learn, but the most important thing is to understand and interpret the artistic thoughts of the director and cinematographer into colour.“


PowerGrade: ARRIVAL

Shutter Island (2010) / Directed by Martin Scorsese / © Paramount Pictures

PowerGrade: BOSTON

Shutter Island (2010) / Directed by Martin Scorsese / © Paramount Pictures

PowerGrade: TEDDY

Shutter Island (2010) / Directed by Martin Scorsese / © Paramount Pictures

PowerGrade: CLIFFS

Shutter Island (2010) / Directed by Martin Scorsese / © Paramount Pictures

PowerGrade: DOLORES

Shutter Island (2010) / Directed by Martin Scorsese / © Paramount Pictures

DIRECTED BY: Martin Scorsese
CINEMATOGRAPHY: Robert Richardson
PRODUCTION DESIGN: Dante Ferretti
ART DIRECTION: Max Biscoe, Robert Guerra, Stefano Susco, Christina Ann Wilson
COSTUME DESIGN: Sandy Powell
SET DECORATION: Francesca Lo Schiavo
COLORIST: Yvan Lucas
CAST: Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Michelle Williams, Emily Mortimer, Max von Sydow, Patricia Clarkson

ASPECT RATIO:
2.39 : 1

CAMERA:

Arriflex 765, Zeiss 765 Lenses
Arriflex D-21, Panavision Primo Lenses
Panavision Panaflex Millennium, Panavision Primo Lenses
Panavision Panaflex System 65 Studio, Panavision System 65 Lenses

NEGATIVE FORMAT:
35 mm (Kodak Vision2 100T 5212, Vision2 200T 5217, Vision3 500T 5219)
65 mm (Kodak Vision3 500T 5219)
Digital

CINEMATOGRAPHIC PROCESS:

Arri 765 (source format) (some scenes)
Digital (source format) (some scenes)
Digital Intermediate (2K) (master format)
Panavision Super 70 (source format) (some scenes)
Super 35 (3-perf) (source format)

PRINTED FILM FORMAT:
35 mm (anamorphic) (Kodak Vision 2383, Vision Premier 2393)
D-Cinema

PRODUCTION:
USA

PRODUCTION COMPANIES:

Phoenix Pictures
Sikelia Productions
Appian Way Productions

DISTRIBUTED BY:

Paramount Pictures