The Lighthouse
reverse engineered PowerGrades
For “The Lighthouse” they used custom filters that emulated early-1900s orthochromatic stock, which was sensitive to ultraviolet, blue and green light, but not red. I thought I have to turn the red channel way down in the RGB Mixer, but for the match it was not really necessary. Check this article and Interview with Cinematographer Jarin Blaschke if you want to know more about the orthochromatic look used in “The Lighthouse”. And here is another one.
PowerGrade: CHAMBER POTS
The Lighthouse (2019) / Directed by Robert Eggers / © Focus Features/Universal Pictures
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PowerGrade: AXE
The Lighthouse (2019) / Directed by Robert Eggers / © Focus Features/Universal Pictures
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PowerGrade: PAINTING
The Lighthouse (2019) / Directed by Robert Eggers / © Focus Features/Universal Pictures
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PowerGrade: HOSTILITY
The Lighthouse (2019) / Directed by Robert Eggers / © Focus Features/Universal Pictures
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PowerGrade: SCREAM
The Lighthouse (2019) / Directed by Robert Eggers / © Focus Features/Universal Pictures
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The Lighthouse (2019)
DIRECTED BY: Robert Eggers
CINEMATOGRAPHY: Jarin Blaschke
PRODUCTION DESIGN: Craig Lathrop
ART DIRECTION: Matt Likely
COSTUME DESIGN: Linda Muir
SET DECORATION: Ian Greig
COLORIST: Joe Gawler
CAST: Willem Dafoe, Robert Pattinson, Valeriia Karaman, Logan Hawkes
ASPECT RATIO:
1.19 : 1
CAMERA:
Panavision Panaflex Millennium XL2, Bausch & Lomb Baltar, Pathé and Petzval Lenses
NEGATIVE FORMAT:
35 mm (Eastman Double-X 5222)
CINEMATOGRAPHIC PROCESS:
Digital Intermediate (4K) (master format)
Spherical (source format)
PRINTED FILM FORMAT:
D-Cinema
PRODUCTION:
USA, United Kingdom
PRODUCTION COMPANIES:
A24
Regency Enterprises
RT Features
DISTRIBUTED BY:
A24 (United States)
VVS Films (Canada)
Focus Features/Universal Pictures (International)