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FILM ELEMENTS


INTRODUCTION

The “Film Elements” pack contains four DCTLs designed to simulate key characteristics of analog film. These tools allow you to add subtle imperfections and visual effects that bring a vintage, filmic aesthetic to your footage.


FILM DIRT

Film Dirt refers to dust particles and smudges that settle on the film surface during shooting, processing, or scanning. These particles can become embedded in the film or stick to it as it moves through various stages of handling. When the film is digitized, these imperfections become visible in the image, appearing as dark or white specks, depending on how the light interacts with the debris.


VIGNETTE

Vignetting is an optical effect where the brightness of an image fades gradually toward the edges, typically due to the physical limitations of lenses or the use of wide apertures. In older or less corrected lenses, the light doesn’t distribute evenly across the entire image plane, resulting in darker corners and a naturally brighter center. This falloff directs the viewer’s focus toward the middle of the frame, giving images a more cinematic, centered composition. It can also be intentionally introduced to recreate the aesthetic of vintage lenses or older film stocks.


HALATION

Halation is an optical phenomenon that occurs when intense light hits the emulsion layer of film, scattering through the base layer and reflecting back into the image. This causes a red or orange glow to appear around high-contrast edges, especially near bright light sources. The effect is more pronounced with thinner emulsion layers in film stocks, which struggle to contain the light, resulting in this distinctive halo.


CHROMATIC ABERRATION

Chromatic Aberration occurs due to the inability of a lens to focus all wavelengths of light onto the same point. This happens because different wavelengths refract at slightly different angles when passing through the lens elements. As a result, you get color fringing—typically red, green, or blue—around high-contrast edges or at the image periphery. This optical imperfection is most common with cheaper lenses or wide-open apertures and contributes to the organic, imperfect feel of vintage optics.


This demo version of the DCTL features a watermark, which is displayed as several plus signs. It is ideal for users who wish to explore the software’s features and functionalities before deciding to make a purchase.


  • Open “Project Settings.”
  • Go to “Color Management” and choose “Open LUT Folder.”
  • Drag and drop the folders with the DCTL files into this directory.
  • Restart DaVinci Resolve to apply the changes.

VIDEO


FILM ELEMENTS

FULL VERSION

One-time payment.
No subscription.
Free updates.
Format: Encrypted DCTL

SYSTEM REQUIREMENTS

DCTLs are versatile, functioning smoothly across PC, Mac, and Linux platforms. It has been rigorously tested with NVIDIA and AMD GPUs on PCs, as well as with the M1 / M2 chip on Macs, leveraging both CUDA and OpenCL infrastructures. It’s crucial to note that DCTLs are only supported in the DaVinci Resolve Studio.

Minimum Requirement:
CPU: Intel Core i7, AMD Ryzen 7, Apple M1 / M2
RAM: 16 GB
GPU: 4 GB VRAM

Recommended Requirement:
CPU: Intel Core i9, AMD Ryzen 9, or higher-tier Apple Silicon
RAM: 32 GB
GPU: 8 GB+ VRAM

© 2024 STEFAN RINGELSCHWANDTNER
All rights reserved. The design, look, feel, and functionality of these tools are protected under copyright law. Unauthorized replication or use is strictly prohibited. For licensing inquiries or more information on permissible uses, please contact me.